Are there cinemas in turkey

It was rebuilt in and was renamed as Rexx after its original name Reks. You can also enjoy 3D movies at Rexx Sinemasi. Rexx Cinema is very close to Moda, the most popular neighborhood of Kadikoy, and Bahariye Street, which is the clothing shopping street.

You can come to Kadikoy by ferry from Eminonu near Sultanahmet or Karakoy near Taksim and visit these places. All of its halls have a curved screen that enables watching movies comfortably at any angle. It also boasts a high-quality Dolby Atmos sound system in its four halls. In its football stadium shaped halls, the seat height can be modified and there are special seats for the physically handicapped.

Moreover, one of its halls offers a VIP concept. Lastly, there is also an open-air terrace at Capitol Spectrum Cinexplex where guests can relax and chill. Capitol Spectrum Cineplex is located in Uskudar, one of the most popular districts on the Asian side of Istanbul. From the European Side, you can easily reach Uskudar by public ferry and go to the cinema in Altunizade by bus.

Avsar Sinemalari is located in Kartal district on the Asian side of Istanbul. Located in the IstMarina Shopping Mall on the coastal road, the cinema belongs to a famous local film company called Avsar Film.

The Avsar Film plays an important role in the history of Turkish cinema and also stands out with its movie hall. Kartal is a district in the far part of the Asian side of Istanbul. Although not very close to touristic centers, it is very close to Sabiha Gokcen Airport, which is the international airport on the Asian side. Kadikoy Sinemasi is one of the oldest movie halls in Kadikoy.

It was built as a theater hall in and served as a movie hall in winters and as a theater hall in summers for a long time. At the Rotterdam Festival, film critics chose it as one of the year's best three films, and at the 10th International Antwerp Film Festival in Belgium, it was again given the Best Film Award. A year later, in , it was chosen as the best film at the European Films Festival in Strasbourg.

Again in , but after a gap of two years, the 18th Antalya Film Festival was held, but no film was considered good enough to win the Best Film Award. During this period a search for new modes of expression was observable in Turkish films which became more inclined to deal with individuality, women's search for identity and human emotions. In , Turkish film weeks were held in Budapest and Kuwait.

Later the same year, it won yet another award at the Corsica 2nd Mediterranean Cultural Film Festival. It was in that the Ministry of Culture initiated a series of competitions offering incentive awards for three main branches: drama, documentary and animation. In , approximately 20 new Turkish films revived audience ratings and brought a new vitality to Turkish cinema by developing new approaches to filming.

New regulations for the cinema, video and music industries were brought into effect. High-quality and well-produced films continued to grow in number in , with more emphasis being placed on good direction rather than on stars. The trend of "cinema d'auteur" was strengthened and revitalized with new directors. At the 5th European Cinema Festival in Italy that year, this film was considered the best in the category of "outstanding European films chosen by the critics", and was also awarded the "Youth Award" at the Cannes Film Festival.

In , only 75 films were produced. Although there was a notable decrease in the number of films produced , there was however an increase in quality encouraged by the Ministry of Culture which also organized a congress on "Turkish Cinema".

The film set a new country-wide box-office record. With the participation of experts from the cinema, press, universities and business circles, the Turkish Cinema and Audiovisual Culture Foundation was established. Films that won best film awards at film festivals organized in Turkey in In , 33 films were produced. Due to a lack of financial resources, the Ankara Film Festival was not held that year. The Adana Golden Cocoon Film festival was revived after a long interval.

In , 83 films were produced. In , Turkish cinema was experiencing difficulties because Turkish producers could barely find enough suitable cinemas to screen films. Most of the films produced that year were designed for television in preference to cinema. A "Cinema Days Week" was held in Manisa.

In the down-trend in film production continued. Private TV channels mainly included old Turkish films in their programmes. A "European Films Festival" was held in Ankara. Later this festival was also held in four other cities. The Ministry of Culture distributed the Cinema Merits in The drop in film production continued again. Out of 37 films produced in , only 10 films were released for public showing.

Films produced in were mainly low-budget productions designed for TV. The most comprehensive promotion campaign for Turkish cinema was launched in Aiming to contribute to the aims of the world series of Habitat II conferences, 80 films on the theme of "city life, growth and development" were screened at the festival.

Films that won best film awards at Turkish Film Festivals and other contests in Also at this festival Nedim Otyam was presented with an "honorary certificate". During the last ten years of this period, the lowest production was recorded in with only 20 films produced. Nevertheless that year was considered as the most brilliant of all, because films screened in won great box-office successes and were very popular at international film festivals. The 48th term meeting of Eurimages, a special European support fund, was held in İstanbul.

This film was later screened in several documentary film festivals. Films that won best film awards at Turkish film festivals and other film contests held in The festival honored Italian filmmaker Nanni Moretti, by resenting him with a special award. The festival committee also presented an honorary award to British director Stephen Frears. Within the framework of the festival, 13 films from Greek cinema were shown. For many years, the Turkish film industry lacked the necessary organization and legal support needed to compete internationally.

Poor technology meant that the industry also failed to meet international film industry standards. During the period, only two cinema studios were active in production, and the number of films produced, exclusive of short-subject films and documentaries, barely reached In the s, five other film studios joined the market, and in , the number of films produced grew to Towards the end of the s, 16 more new studios and film laboratories were opened and by the s, expansion really gained impetus.

In the s this expansion reached inflationary proportions with corresponding negative effects. In , the number of films produced suddenly dropped to 68, but rose again towards the end of the s. The decrease in the number of films produced also continued into the s. Although films were produced between and only 74 of them were actually screened.

In spite of this decrease, it is pleasing to note that Turkish films have nevertheless reached new levels from the technical standpoint and in recent years, Turkish films have achieved a record in audience ratings and have been able to compete with European and American films. It is evident that this membership has made a great contribution to efforts by the Turkish film industry to reach international audiences. As Turkish films began to make an impression in international markets and began to win awards with realistic and better quality films, so the industry began to win back its old audiences.

As a result, not only did the number of cinema-goers begin to increase, but so did investment and state interest. State interest was particularly evident when the new laws on cinema, video and music went into effect along with special funds to support the arts- but this time especially cinema and music. Serious government interest and support were also evident in low interest rates on loans and easier terms for investment together with the financial help given to artists and film companies experiencing difficulties.

Furthermore, the Culture Ministry established a Turkish Film Unit to support Turkish cinema as it opened up to the world. The Culture Ministry also allocated funds to produce films and selected projects, and to solve infrastructural problems. The Cinema Council, which was created in , viewed the cinema as a branch of the industrial sectors, and negotiated a new tax deal especially for film companies. Other aspects that were given new importance included a better deal for those employed in the cinema industry, which involved a new law and later, new incentives for opening bigger and better cinemas throughout the country.

The most important development in the field of cinema industry in the last two years, was the approval by the Turkish Parliament of amendments in the Law on Intellectual Property Rights. According to the new Law, using other works of art to create a new work in such fields as music, science, literature and fine arts with the expection of educational pursuits, is subjected to the permission of the creators of those works of art.

It is compulsory to put bandroles on the audio or visual material upon which the literal and artistic works are recorded. The Law foresees that people who change a work of art without the permision of the artist will be sentenced to stiff prison terms the maximum being six years and given a fine of TL billion. There are many outdoor cinemas in Istanbul; in built-up areas, on hotel rooftops, and in enclosed courtyards. Most outdoor cinemas start between and Some outdoor cinemas offer free screenings.

An annual film festival which lasts for two weeks, it is one of the most important cultural events in Turkey. Cinemas and Movies in Istanbul. Istanbul How To. Information on where and how to find full listings of what's on at the movies today, and in the near future. The periods in the history of Turkish Cinema.

The Turkish Cinema between The structure of the Turkish society changed a lot by the proclamation of the Republic of Turkey in and the successive political, legal, cultural, social and economic reforms of Ataturk.

The Turkish films were made by private film companies between The Turkish films made by new production companies and directed by new directors enriching cinematographic expression increased by the end of the 2. World War. The economic developments affected the preferences of the cinema audiences and the films made. The American adventure and comedy films, some Egyptian films and the Turkish films with the scripts adapted from Turkish literature and the historical events became box office success and formed a certain understanding of the cinema.

The proliferation of Turkish films prepared the bases of the successive Golden Era of the Turkish Cinema.