Michael frye who is this




















Should we head to Zion? Detour east toward the Paria River Digital Darkroom. Today Adobe officially released a major update to Lightroom, Lightroom Classic v This new implementation improves the layout and functionality of the This new edition is revised and updated for Lightroom Classic CC, and includes a brand new example where I take you step-by-step through processing a Milky Way photograph, plus six new videos about the Range Mask, the Profile Browser, fixing coma, removing color fringing around stars, and more.

Of course this new version still has all the features that made the first edition so popular. First, you can download the original Raw files used as examples in the ebook, and then follow along with each step yourself — just as if you were attending one of my workshops.

And your videos are a gigantic bonus; extremely helpful. I love the clarity of your instructional style. We will never sell or share your email address with anyone.

Read our complete Privacy Policy. About Me. Subscribe to My Blog:. Now check your email to confirm your subscription. There was an error submitting your subscription. I don't care for the look of most HDR photographs, but there are other ways of blending exposures that look much more natural. However, modern reliance on auto-focusing and automatic exposure has left a lot of people with big gaps in their photographic knowledge. Ten years ago I didn't have to explain to most workshop students what an f-stop was, but now I often do, even to people with a lot of photographic experience.

As I said earlier, I worked there for about six years, from to I continued my relationship with the gallery after I stopped working there, and now I teach workshops for them, and they represent my work and sell my prints. I really enjoy teaching photography. It's gratifying to see an improvement in a student's work from the beginning of a workshop to the end, especially when they start making images that convey something about their own unique point of view, and their feelings about a place.

I'd have to say shoes! I know that seems mundane, but good shoes allow you to get around to all those great photo locations comfortably. I don't enjoy punishing myself by carrying heavy camera equipment along with a tent, sleeping bag, and other backpacking gear. I'm happy to make day hikes, and stay at a location until sunset, or even later, and hike back in the dark. Photographing at night allows me convey a sense of the power and mystery of the natural world, something that's difficult to do during the daytime.

Also, a popular location in a national park might be overrun by tourists during the day, yet it can be quiet and peaceful at night, so being out after dark allows me to connect with the landscape in a deeper way. Well, I'm always working on something.

I've already started working on my next ebook, but I can't reveal any details yet. I really don't worry about things like that. I just try to make the best photographs I can, and help other photographers make the best photographs they can, and let the future take care of itself. The internet in general, of which social media is a part, has changed all businesses, photography included.

I love the fact that you don't need to go through gatekeepers anymore. When I started out, building a successful career meant convincing magazine editors, stock agents, or gallery owners to use or carry your work. Now you can bypass all of that. If you build a loyal following online you can market to people directly, without the middleman.

As for what will happen in the future, there are a lot of people trying to predict things like that who know more about technology than me, and they often get it wrong, so I won't even attempt [to answer] that.

Pick an easier career!



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